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"Sunflower" [a] is a song by American rappers Post Malone and Swae Lee. It was released on October 18, 2018, as a single from the soundtrack to the 2018 animated film Spider-Man: Into the Spider-Verse , [ 4 ] and was later included on Post Malone's third studio album Hollywood's Bleeding (2019). [ 5 ]
Austin Richard Post (born July 4, 1995), [2] known professionally as Post Malone, is an American rapper, singer, songwriter, and record producer. [3] He has gained distinction and acclaim for his blending of various genres including hip-hop , pop , R&B , trap , and country .
"I Had Some Help" is a song by American rapper Post Malone featuring American country music singer Morgan Wallen. It was released through Republic and Mercury Records as the lead single from Malone's sixth studio album, F-1 Trillion, on May 10, 2024.
“Fortnight,” the first single from Taylor Swift’s “The Tortured Poets Department,” is a duet with Post Malone. Before we delve into the lyrics, let’s get some temporal vocabulary ...
"White Iverson" is the debut single by American rapper Post Malone. It was released through Republic Records on August 14, 2015, as the lead single from his debut studio album, Stoney (2016). It was originally released on February 4, 2015, through Malone's SoundCloud account. Malone produced and wrote it alongside FKi 1st and Rex Kudo.
"Circles" is a song by American rapper Post Malone. It was released through Republic Records on August 30, 2019, as the third single from Malone's third studio album Hollywood's Bleeding (2019). It reached number one on the US Billboard Hot 100 for the week of November 30, 2019, topping the chart for three weeks, marking Post Malone's fourth ...
Post Malone debuted the track while performing in Austin, Texas in September 2016, two months before the song's official release. [5] On May 9, 2017, the track was performed to Post Malone by a mariachi band, commissioned by Indonesian rapper Rich Brian. On June 16, 2017, the official remix was released featuring an additional verse from Future.
HipHop-N-More stated that the song felt like "more than just a throwaway", saying it "could be another big moment for Post on the charts and radio". [5] NME called it one of Post Malone's "most stripped back recordings to date", saying his rapping over a beat is a "stark contrast" to his previous Autotuned vocals and "heavily produced" music. [6]