Search results
Results from the WOW.Com Content Network
See also untuned percussion Pitched percussion: A glockenspiel and a set of crotales in use.. This subsection is traditionally called tuned percussion, [2] however the corresponding term untuned percussion is avoided in modern organology in favour of the term unpitched percussion, so the instruments of this subsection are similarly termed pitched percussion.
The glockenspiel is limited to the upper register and typically covers between 2 + 1 ⁄ 2 and 3 octaves, though certain professional models may reach up to 3 + 1 ⁄ 2 octaves. [4] The glockenspiel is often a transposing instrument and sounds two octaves above the written pitch, though this is sometimes remedied by using an octave clef. [5]
J. C. Deagan, Inc. is a former musical instrument manufacturing company that developed and produced instruments from the late 19th- to mid-20th century. It was founded in 1880 by John Calhoun Deagan and initially manufactured glockenspiels.
From the mid/late-1980s on, Peart utilized MIDI trigger pads to trigger sounds sampled from various pieces of acoustic percussion that would otherwise consume far too much stage area, such as a marimba, harp, temple blocks, triangles, glockenspiel, orchestra bells, tubular bells, timpani and vibra-slap as well as other, more esoteric percussion ...
In tubular bells, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 9 2:11 2:13 2, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch". [3]
They sound one octave down from the glockenspiel, or one octave above concert pitch and generally have a range of 2 + 1 ⁄ 2 octaves. Song bells have been made by various makers at different times but were first introduced by J. C. Deagan, Inc. in 1918 and manufactured by the company until 1924. [2] [3]
This page was last edited on 11 February 2005, at 13:45 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. [ a ] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's death.