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While the Tonal represents all that is known—our identity, the world, the self—the Nagual is everything that remains beyond understanding, including the energy field from which the Tonal arises. Achieving personal mastery means integrating these two forces, realizing the limits of the Tonal, and embracing the vastness of the Nagual.
Tonal is a concept within the study of Mesoamerican religion, cosmology, folklore and anthropology. It is a belief found in many indigenous Mesoamerican cultures that a person upon being born acquires a close spiritual link to an animal, a link that lasts throughout the lives of both creatures.
Tonalli (see also: Tonal) plays a multiplicity of roles; acting as a day sign, body part, and a symbol of the sun's warmth. Ancient Nahua people believed that it was located in the hair and the fontanel area of one's skull, and that the tonalli provided the “vigor and energy for growth and development”. [1]
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Tonal may refer to: Tonal (mythology), a concept in the belief systems and traditions of Mesoamerican cultures, involving a spiritual link between a person and an animal; Tonal language, a type of language in which pitch is used to make phonemic distinctions; Tonality, a system of writing music involving the relationship of pitch to some ...
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Peter Westergaard's tonal theory is the theory of tonal music developed by Peter Westergaard and outlined in Westergaard's 1975 book An Introduction to Tonal Theory (hereafter referred to as ITT). Based on ideas of Heinrich Schenker , Westergaard's theory is notable for:
Tezcatlipoca's nagual, his animal counterpart, was the jaguar. In the form of a jaguar he became the deity Tepeyollotl ("Mountainheart"). In one of the two main Aztec calendars (the Tonalpohualli ), Tezcatlipoca ruled the trecena 1 Ocelotl ("1 Jaguar"); he was also patron of the days with the name Acatl ("reed").