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"Go ahead, make my day" is a catchphrase from the 1983 film Sudden Impact, spoken by the character Harry Callahan, played by Clint Eastwood.The iconic line was written by John Milius, [1] whose writing contributions to the film were uncredited, but has also been attributed to Charles B. Pierce, who wrote the film's story, [2] and to Joseph Stinson, who wrote the screenplay. [3]
2005: AFI's 100 Years...100 Movie Quotes: Harry Callahan: "Go ahead, make my day." – #6 [20] "Make My Day" is a novelty song recorded by American country music artist T. G. Sheppard featuring Clint Eastwood. [21] It was released in February 1984 as the second single from the album Slow Burn.
More recent research and thinking also looks at the steady accumulation of subconcussive blows, in addition to symptomatic concussions, as a major contribution factor in the development of CTE. [ 40 ] [ 41 ] For example, a 2018 study found that each year an athlete played tackle football before age 12 predicted earlier onset of CTE symptoms by ...
Scientists think they have figured out the reason why thinking hard can make you tired, giving new meaning to a “mental vacation.”A group of researchers at the Paris Brain Institute have shown ...
Related: 25 Best Alternative Christmas Movies 5. Die Hard is a little formulaic, over-the-top, and comforting—just like so many of the best Christmas movies.. Die Hard stands out because of the ...
It’s simply an effort to take the material in the novel and fashion a movie out of it. The problem lies in the fact that the actors do such a good job creating the family dynamic of these selfish hard heads, you wish the production attacked the material from the outset with more ambition." [13] The film has a rating of 100% on Rotten Tomatoes ...
In “Home Again” writer-director Hallie Meyers-Shyer’s middling LA-based dramedy “Goodrich,” the title character (played by Michael Keaton) learns it the hard way.
Jobs is a 2013 American biographical drama film based on the life of Steve Jobs, from 1974 while a student at Reed College to the introduction of the iPod in 2001. [2] It is directed by Joshua Michael Stern, written by Matt Whiteley, and produced by Stern and Mark Hulme.