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The album opens with a spoken word monologue by Funkadelic bandleader George Clinton, which refers to "the maggots in the mind of the universe". [7] According to legend, the opening title track was recorded in one take when Clinton, under the influence of LSD, told lead guitarist Eddie Hazel to play as if he had just learned his mother was dead; Clinton instructed him "to picture that day ...
Album US [7] US R&B [8] US Dance [9] UK [3] "Music for My Mother" 1969 — 50 — — Funkadelic "I'll Bet You" 63 22 — — "I Got a Thing, You Got a Thing, Everybody's Got a Thing" 1970 80 30 — — "I Wanna Know If It's Good to You?" 81 27 — — Free Your Mind... and Your Ass Will Follow "You and Your Folks, Me and My Folks" 1971 91 42 ...
[10] Years later, Christgau rated the album as "a prequel to Sly and the Family Stone's depressive There's a Riot Goin' On". [5] Mojo later hailed Funkadelic as "the best blues-influenced, warped acid rock you're likely to hear", [9] and The Mojo Collection (2007) called it the band's first album of "spaced-out psychedelic funk". [11]
In 1975, Funkadelic released its most successful album yet, Let's Take It to the Stage, which nearly cracked the R&B top ten and the Billboard 100. Later in 1975 Michael Hampton , a teen guitar prodigy, replaced Hazel as the premier lead guitarist in Parliament-Funkadelic, and was a major contributor to the next several Funkadelic albums.
Compared to Funkadelic's earlier output, which was characterized by sound typical for rock music, this song has sound more typical for dance music. The lyrics refer to dancing as a way to freedom. The song opens with the lyrics "So wide, you can't get around it/ So low, you can't get under it/ So high you can't get over it."
George Edward Clinton [6] (born July 22, 1941 [7]) is an American singer, songwriter, record producer and bandleader. [8] His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on Afrofuturism, outlandish fashion, psychedelia, and surreal humor. [9]
The leader behind the Parliament-Funkadelic collective was celebrated for influencing and impacting funk music. George Clinton, one of the most […] The post George Clinton becomes emotional as ...
It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at No. 18 on the Billboard 200 and No. 2 on ...