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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
It features both in the films, many times, and in Shore's concert suite Concerning Hobbits. The melody, all in one key, occurs in pensive, rural, and hymn settings. [n] The pensive setting [o] is played classically, with the melody on whistle or clarinet according to the mood of the moment.
Following the style of his music for The Lord of the Rings film series, Howard Shore constructed the score for The Hobbit using many strong recognisable musical themes. The musicologist Doug Adams described these as "an encyclopedic network of leitmotifs: dozens of themes that represented cultures, characters, objects, and dramatic concepts in Middle-earth."
Since then, it has been arranged for many occasions, including a full symphonic version by the Tabernacle Choir at Temple Square, [3] and a version by Joseph McManners. [4] The last lines pay homage to There and Back Again, an alternate title for Lord of the Rings author J. R. R. Tolkien's earlier book The Hobbit.
It also musters the biggest staged forces, with sections calling for eight trumpets and a similar increase in the rest of the brass section, two timpanists, a mixed choir of 85 with additional singers for all-male and all-female parts, over fifty in the boy choir, various vocal soloists including the American soprano Renee Fleming and the boy ...
The Hobbits reach the village of Bree, where they encounter a Ranger named Strider. The innkeeper gives Frodo a letter from Gandalf written three months before which identifies Strider as a friend. Knowing the riders will attempt to seize the party, Strider guides the Hobbits through the wilderness toward the Elven sanctuary of Rivendell.
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