Search results
Results from the WOW.Com Content Network
Some songs, such as The Beatles' "Please Please Me" and "I Want to Hold Your Hand", The Knack's "Good Girls Don't" and Blondie's cover of The Nerves' "Hanging on the Telephone", employ a double backbeat pattern. [22] In a double backbeat, one of the off beats is played as two eighth notes rather than one quarter note. [22]
"Flip, Flop and Fly" has an arrangement similar to Big Joe Turner's 1954 number 1 R&B chart hit "Shake, Rattle and Roll". [2]Music critic Cub Koda suggests that "leftover verses [from the 'Shake, Rattle and Roll' recording session] were then recycled into Turner's follow-up hit, 'Flip, Flop and Fly. ' " [3] Both are up-tempo twelve-bar blues with a strong backbeat.
Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion: Combines elements of jazz and rock. Characterized by electronic instruments, riffs, and extended solos. 1970s -> Jazz poetry: 1920s -> Jazz pop: Jazz rap
In 1961, 19-year-old Robert Allen Zimmerman dropped out of college in his native Minnesota, made a pilgrimage to New York City to meet his folk music idol Woody Guthrie, and decided to become, in ...
Elvis made dozens of classic songs in his career, but when it comes to pure catchy hook heaven, the repeated line "You ain't nothin' but a hound dog, cryin' all the time" is inescapable.
The song's lyrical style, content and sound is in the vein of such songs as "Shut up and Dance", which was also written with the assistance of Blades/Shaw. It also features notable harmonica playing by Tyler, as well as dueling lead guitar parts, and a strong backbeat.
Pete Ham wrote a song originally titled "If It's Love", but it had lacked a strong chorus. At the time of writing, the band shared residence with the Mojos at 7 Park Avenue in Golders Green . One evening, in the midst of the parties, songwriting, touring, in Golders Green, Ham and his girlfriend Beverly Tucker were about to go out for the evening.
The song is often referred to as "(Love Is Like a) Heat Wave", but the title on the label of the original 1963 single was just "Heat Wave". [5] Produced and composed with a gospel backbeat, jazz overtones and, doo-wop call and responsive vocals, "Heat Wave" was one of the first songs to exemplify the style of music later termed as the "Motown ...