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After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...
The Colossus (painting) The Cornell Farm; Cow tools; Cow Wallpaper; The Cow with the Subtile Nose; Cow's Skull: Red, White, and Blue; Cowboys and Herds in the Maremma; A Cowherd at Valhermeil, Auvers-sur-Oise; The Cows (painting) Cows and Groomers; Cows in a River; Cows in the Meadow; Cretan Bull
The painting is a metaphor for the process of emancipation of the calves through their weaning, which despite being initially difficult becomes strengthening. The scene of the foreground opens to other pasturelands, where a small structure is depicted to the left, and five adult cows are seen to the right.
The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
Most of Russell's portrayals of white women are shown as "pure" and non-sexual, other than those paintings specifically depicting prostitutes. In contrast, his series of five Keeoma paintings and related images show a sensual native woman. They are documented by the statement that Keeoma was a real woman whom Russell had loved.
The Cows is a painting by Vincent van Gogh, produced in July 1890 during his stay in Doctor Gachet's home in Auvers-sur-Oise.It is based on an 1873 Paul van Ryssel etching Gachet owned of Jacob Jordaens's Study of Five Cows, exhibited in the Palais des Beaux-Arts de Lille.
It depicts a cow skull centered in front of what appears to be a cloth background. In the center of the background is a vertical black stripe, surrounded by two vertical stripes of white laced with blue. Outside are two vertical red stripes. O'Keeffe created the 39 7/8 x 35 7/8-inch (101.3 x 91.1 cm) oil painting on canvas in 1931.
One of the finest landscape painters of his day, he is mainly associated with pictures of cattle or sheep, [5] a fact that earned him the epithet "Cow Cooper". [8] Cooper collaborated between 1847 and 1870 with Frederick Richard Lee R.A. on several paintings, Lee undertaking the landscapes, and Cooper adding animals to complete the scene. [9]
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