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The guitar, minus the amp-in-case, was reissued by Evets Corporation for 2008 as the Dano '63. It is not an exact copy, but updated with modern materials and construction methods. [ 5 ] From 1999 to 2002, Evets Corp. also marketed an "Amp-in-Bag" gig bag accessory for its line of Danelectro retro-design reissue guitars.
Guitar Player magazine reviewed the amp in its "Exotica" feature, December 2002. The article specifies details of the amp, including price, and its control layout: "The AC30 HW ($4,000; head $3,250; 2×12 cab $1,350), which was developed with input from boutique amp designer Tony Bruno, features the famous Top Boost preamp, but has a control ...
In 2009, Premier Guitar reviewed the Komet 19, giving it a 5 out of 5 rating, praising the sound and the "astonishing workmanship". [3] In early 2017 Komet Amplification introduced their AmbiKab, an innovative, active wet/dry/wet speaker system that allows the user to add effects ("wet signal") to the guitar amp independently of the direct ("dry").
A Pignose amplifier (on the right), teamed with a Takamine guitar and a Meinl cajon percussion instrument. Pignose-Gorilla, commonly known as Pignose, is a manufacturer of portable, battery-powered guitar amplifiers, as well as AC-powered practice amps and guitars.
There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight practice amplifiers with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.
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The amps were offered with hardwood cabinets, or in a variety of vinyl-covered birch plywood cabinets in a variety of colors. The amps were built as 1-12", or 1-10" combos, or as a head. JBL E-120 speakers were offered as an option. Jim Kelley Amplifiers were also the first guitar amplifiers to be offered with an optional power attenuator. [5]
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