Search results
Results from the WOW.Com Content Network
This is a comprehensive list of songs by German rock band Tokio Hotel. Since forming in 2001, by the name of Devilish, the band have released seven studio albums, two live albums and two compilation albums. This list does not contain live versions or remixes released by the band.
Mellow Gold is the third studio album by American musician Beck, released on March 1, 1994, by DGC Records as Beck's major label debut album. Critics noted the album's hybrid of various styles including rock, hip hop, folk, blues, psychedelia, and country, [3] as well as ironic, witty lyrics.
"Nobody's Fault but My Own" is a song by American musician Beck. The song was released in 1998 on his album Mutations, and was released as a single in Japan only on April 21, 1999.
First known to be played live in 1993, "Pay No Mind" is still a fan-favorite and a staple of Beck's live shows. Beck is known for radically re-working the lyrics of the song while on stage to include commentary on things as diverse as Tom Petty and 99 cent stores.
City received highly positive reviews.Kerrang! praised the album for its heaviness, claiming it sounded like "sticking your head into the jet nozzle of a Stealth Bomber", [12] while Metal Hammer ranked it No. 13 on its "Top 20 Albums of 1997" list [13] and also included it in another list released in 2020 and containing what they considered to be the top 10 albums of that year. [14]
UK 1 – Oct 1997, US BB 1 of 1997, Netherlands 1 – Sep 1997, Sweden 1 – Sep 1997, Switzerland 1 – Oct 1997, Norway 1 – May 1997, Germany 1 – Jan 1998, Republic of Ireland 1 – Oct 1997, New Zealand 1 for 2 weeks Sep 1997, Australia 1 for 3 weeks Jan 1998, POP 1 of 1997, Italy 2 of 1997, Austria 3 – Oct 1997, France 6 – May 1997 ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.