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Star Trek IV: The Voyage Home is a 1986 science fiction film directed by Leonard Nimoy based on the television series Star Trek: The Original Series and the fourth film in the Star Trek film series. The film is scored by Leonard Rosenman, who is the third Star Trek film composer after Jerry Goldsmith and James Horner.
The 2009 film Star Trek broke with this tradition; instead, composer Michael Giacchino used the opening notes sparingly in the movie, but featured an arrangement of the theme in the film's end credits. All the Star Trek feature films to date use the fanfare at some point.
[7]: 88 Star Trek: The Motion Picture is the only Star Trek film to have a true overture, using "Ilia's Theme" in this role. Star Trek and The Black Hole would be the only feature films to use an overture from the end of 1979 until the year 2000 (with the movie Dancer in the Dark). [8]
Goldsmith also composed the theme for the UPN series Star Trek: Voyager (which debuted in 1995) for which he won a Primetime Emmy Award for Outstanding Main Title Theme Music. In 2020, Newsweek magazine said that the Voyager theme was the best of all Star Trek television series' theme songs. [53]
Star Trek: Music from the Motion Picture is a soundtrack album for the 2009 film Star Trek, ... The end credits incorporate the "Theme from Star Trek."
Dennis McCarthy (born July 3, 1945) is an American composer of television and film scores. [1] [2] His soundtrack credits include several entries in the Star Trek franchise, including underscores for The Next Generation, [1] Deep Space Nine, [1] Voyager, Enterprise, and the 1994 feature film Star Trek Generations. [3]
Goldsmith would later compose the scores for Star Trek V: The Final Frontier (1989) (which included a revised arrangement of the theme from The Motion Picture), Star Trek: First Contact (1996), Star Trek: Insurrection (1998), and Star Trek: Nemesis (2002), as well as the theme to the television series Star Trek: Voyager in 1995. In addition ...
Star Trek: Voyager was the first Star Trek series to use computer-generated imagery (CGI), rather than models, for exterior space shots. [4] Babylon 5 and seaQuest DSV had previously used CGI to avoid the expense of models, but the Star Trek television department continued using models because they felt they were more realistic.