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Designed as the Southwest District Headquarters of the Singer Sewing Machine Company, the steel, concrete and Indiana limestone Singer building was designed by architect George Dahl and opened in 1934. The ground floor contained a sales room and hem-stitching room, offices were on the third floor and the basement served as a stock room.
Some work rooms are designated by the intended activity: for example, a sewing room is used for sewing, and the laundry room is used for washing and ironing laundry. Other rooms are meant to promote comfort and cleanliness, such as the toilet and bathroom, which may be combined or which may be in
The raised second floor includes three zones: The public area (living room and dining room), the bedroom wing (with its pendant guest wing) and finally the kitchen and servants areas. The original residence was over-9000-square-feet and built on a ten-acre parcel. The entrance halls, playroom and sewing room are on the ground floor.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
In 1926, Elsie Reford enlarged the house to the designs of Montreal architect, Galt Durnford. These majestic entrance doors are made of B.C. Fir, like much of the interior of the house. The second story of the house was modified to create private quarters for Elsie and Robert Reford and to accommodate her sewing room and his darkroom.
In 18th-century London, upholders often took on the role of interior decorators, managing all aspects of a room’s decor. These individuals were members of the Worshipful Company of Upholders , [ 4 ] a guild whose traditional role, before the 18th century , was to provide upholstery, textiles, and fittings for funerals.
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