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Sadhukkari (Devanagari: सधुक्कड़ी) was a vernacular dialect of the Hindi Belt of medieval North India, and a mix of Hindustani, Haryanvi, Braj Bhasha, Awadhi, Marwari, Bhojpuri and Punjabi, hence it is also commonly called a Panchmel Khichri. [1] [2] Since it is simpler, it is used in adult literacy books or early literacy books.
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
In chemistry, orthosilicate is the anion SiO 4− 4, or any of its salts and esters. It is one of the silicate anions. It is occasionally called the silicon tetroxide anion or group. [1] Orthosilicate salts, like sodium orthosilicate, are stable, and occur widely in nature as silicate minerals, being the defining feature of the nesosilicates. [2]
Schwa deletion, or schwa syncope, is a phenomenon that sometimes occurs in Assamese, Hindi, Urdu, Bengali, Kashmiri, Punjabi, Gujarati, and several other Indo-Aryan languages with schwas that are implicit in their written scripts.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
The schwa (अ or 'ə', sometimes written 'a') implicit in each consonant of the Devanagari script is "obligatorily deleted" in Hindi at the end of words and in certain other contexts. [2] This phenomenon has been termed the " schwa syncope rule " or the " schwa deletion rule " of Hindi.
The Sun's Seventh Horse (Hindi: सूरज का सातवाँ घोड़ा; Suraj Ka Satvan Ghoda) is a 1952 Hindi meta fiction novel by Dharamvir Bharati, one of the pioneers of modern Hindi literature. [1] The novel presents three related narratives about three women: Jamuna, Sati, and Lily.
The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.