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Naval Ensign of Japan: Flag of the Japan Self-Defense Forces and the Japan Ground Self-Defense Force: Japan Self-Defense Forces Naval Ensign of Japan: National personification: Amaterasu [citation needed] Amaterasu: National founder: Emperor Jimmu (神武天皇 Jinmu-tennō) Emperor Jimmu: National dish: Sushi, Japanese curry, ramen: Sushi, [3 ...
Orders, decorations, and medals of Japan (4 C, 11 P) Pages in category "National symbols of Japan" The following 21 pages are in this category, out of 21 total.
According to legend, these treasures were brought to Earth by Ninigi-no-Mikoto, legendary ancestor of the Japanese imperial line, when his grandmother, the sun goddess Amaterasu, sent him to pacify Japan. [5] These treasures were eventually said to be passed down to Emperor Jimmu, who was the first Emperor of Japan and Ninigi's great-grandson. [6]
The Hinomaru bento became the main symbol of Japan's war mobilization and solidarity with its soldiers until the 1940s. [32] Japan's early victories in the Sino-Japanese War resulted in the Hinomaru again being used for celebrations. It was seen in the hands of every Japanese during parades. [30]
A History of Japan to 1334. A History of Japan, Sir George Bailey Sansom, Stanford studies in the civilizations of eastern Asia. Vol. 1 (illustrated ed.). Stanford University Press. ISBN 0-8047-0523-2. Archived from the original on May 3, 2016; Shiveley, Donald H.; McCullough, William H.; Hall, John Whitney (1993).
Mount Fuji and sakura (cherry blossoms) are national symbols of Japan. The Japanese archipelago is located to the east of the Asian continent. Japan is regarded as the most eastern Asian country, because east of Japan is the vast Pacific Ocean. Minamitorishima is Japan's easternmost island. Thus Japan is the land where the sun rises before the ...
The mon of the Toyotomi Clan, now used as the emblem of the Japanese Government; originally an emblem of the imperial family—a stylized paulownia.. Mon (紋), also called monshō (紋章), mondokoro (紋所), and kamon (家紋), are Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution, municipality or business entity.
Jōchō was the most important sculptor of this time, and he used the yosegi technique, in which several pieces of wood are joined to sculpt a single figure. He was the ancestor of three important schools of Japanese Buddhist statuary: the Enpa, Inpa and Keiha school. The Amida Nyorai at Byōdō-in is the only extant work by Jōchō.