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Kim Robertson is an American Celtic harp player. [1] She was born in the U.S. state of Wisconsin and classically trained on piano and orchestral harp. Her work encompasses over 20 album projects, several volumes of harp arrangements, instructional videos, and an international itinerary of concerts and retreats.
Fasola Home Page, a web site dedicated to Sacred Harp music "Sacred Harp Bremen". Includes all the songs in the Sacred Harp book: lyrics, sheet music and the individual parts sung by a synthesised voice, and a beginners guide. In English and German. Sacred Harp Singing by Warren Steel, another web site on the Sacred Harp
Auriga (harp and piano) Sergiu Natra. Music For Violin and Harp; Music For Harp and Three Brass Instruments (trumpet, trombone, & French horn) Music for Nicanor (harp, flute, clarinet & string quartet) Commentaires sentimentaux (flute, viola and harp) Two Sacred Songs (soprano, violin, cello, harp & organ) Ancient Walls (trombone & harp)
Lyon & Healy pedal harp (1891–95) George W. Lyon, a native of Northborough, Massachusetts; and Patrick J. Healy, born in Mallow, Ireland, founded the company in 1864, after they moved from Boston to start a sheet music shop for music publisher Oliver Ditson.
Woods’ first book, Teach Yourself to Play the Folk Harp, is perhaps the best-known tutor for lever harp, and has been the introduction to harp playing for thousands of musicians. She has since published more than 80 books and sheet music arrangements for the Celtic harp, encompassing a wide variety of musical styles from folk to classical to pop.
An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.
Deborah Henson-Conant describes her music as "cross-genre: jazz-pop-comedy-folk-blues-flamenco-celtic". Deborah performs one-person shows in theaters, concert halls and festivals; and she does original music and theatre shows with symphony orchestras. Her performances mix music with theatrical and story elements.
His music is required study at harp departments in universities, conservatories and music schools around the world, and some are often required for competitions. His “Venezolana for Five Pedal Harps,” "Cuban Dream After the Storm," "Cumbia Verde," "Danza de Luzma," "Cumbia Deliciosa" and others, have become favorites of harp ensembles ...
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