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The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm .
The following is a list of artists and bands associated with the new wave music genre during the late 1970s and early-to-mid 1980s. The list does not include acts associated with the resurgences and revivals of the genre that have occurred from the 1990s onward.
New Hollywood, music videos, French New Wave Cinéma du look ( French: [sinema dy luk] ) was a French film movement of the 1980s and 1990s, analysed, for the first time, by French critic Raphaël Bassan in La Revue du Cinéma issue no. 449, May 1989, [ 1 ] in which he classified Luc Besson , Jean-Jacques Beineix and Leos Carax as directors of ...
Le Beau Serge is considered the inaugural film of the French New Wave Film movement that would peak between 1959 and 1962. Chabrol was the first of his friends to complete a feature film (although Jacques Rivette had already begun filming his first feature Paris nous appartient ), and it immediately received critical praise and was a box office ...
Nouvelle Vague is a French cover band led by musicians Olivier Libaux and Marc Collin.Their name means "new wave" in French, and refers simultaneously to the French New Wave cinema movement of the 1960s, to the new wave music movement of the 1970s and 1980s, which provides many of the songs that the band covers, and to bossa nova (Portuguese for "new wave"), a musical style that the band ...
Le Beau Serge (French pronunciation: [lə bo sɛʁʒ], literal English translation: "Handsome Serge") is a 1958 French film directed by Claude Chabrol.It has been cited as the first product of the Nouvelle Vague, or French New Wave, film movement.
Brazilian filmmakers modeled Cinema Novo after genres known for subversiveness: Italian neorealism and French New Wave. Johnson and Stam further claim that Cinema Novo has something in common "with Soviet film of the twenties," which like Italian neorealism and French New Wave had "a penchant for theorizing its own cinematic practice."
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