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A step outline (also informally called a beat sheet or scene-by-scene [1]) is a detailed telling of a story with the intention of turning the story into a screenplay for a motion picture. The step outline briefly details every scene of the screenplay's story, and often has indications for dialogue and character interactions.
The first two stories in the book ("The Sneetches" and "The Zax") were later adapted, along with Green Eggs and Ham, into 1973's animated TV musical special Dr. Seuss on the Loose: The Sneetches, The Zax, Green Eggs and Ham with Hans Conried voicing the narrator and both Zax, and Paul Winchell and Bob Holt voicing the Sneetches and Sylvester ...
A scriptment borrows characteristics from both a regular screenplay and a film treatment and is comparable to a step outline: the main text body is similar to an elaborate draft treatment, while usually only major sequences receive scene location headings (), which is different from the extensive slug line formatting in standard screenplays, where every new scene or shot begins with an INT./EXT.
A plot outline is a prose telling of a story which can be turned into a screenplay. Sometimes it is called a "one page" because of its length. In comics, the roughs refer to a stage in the development where the story has been broken down very loosely in a style similar to storyboarding in film development.
Early examples of short stories were published separately between 1790 and 1810, but the first true collections of short stories appeared between 1810 and 1830 in several countries. [ 17 ] The first short stories in the United Kingdom were gothic tales like Richard Cumberland 's "remarkable narrative", "The Poisoner of Montremos" (1791). [ 18 ]
It is the first modern short story to introduce bizarre, odd and grotesque elements in children's literature and thereby anticipates Lewis Carroll's tale, Alice's Adventures in Wonderland. [38] There are not only parallels concerning the content (the weird adventures of a young girl in a fantasy land), but also the origin of the tales as both ...
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In this step, the hero must confront and be initiated by whatever holds the ultimate power in their life. In many myths and stories, this is the father or a father figure who has life-and-death power. This is the center point of the journey. All the previous steps have been moving into this place, all that follow will move out from it.
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