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Circus music (also known as carnival music) is any sort of music that is played to accompany a circus, and also music written that emulates its general style. Popular music would also often get arranged for the circus band, as well as waltzes , foxtrots and other dances.
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"Frolic" is commonly seen as being connected to circus music. This connotation comes from the rhythms and instruments (specifically tuba and mandolin ) [ 13 ] used in the song by Michelini. [ 14 ] Additional inspiration comes from the bossa nova , which can be heard in the harmony of the song.
Since the company's founding in 1984, various composers have been commissioned to write the music for Cirque du Soleil's many productions. René Dupéré was Cirque du Soleil's first composer. Benoît Jutras , who had worked for many years as an arranger and musical director for the company, began filling the role of composer with the show ...
In show business, as said before, particularly theater and the circus, this piece is called "the Disaster March". It is a traditional code signaling a life-threatening emergency. This helps theater personnel to handle events and organize the audience's exit without panic. Circus bands never play it under any other circumstances.
Gustav Peter is the composer [3] of the widely popular piece of music Memory of Circus Renz that was published in 1894 with the original title Souvenir de Cirque Renz. [4] Its musical form is a Galop and primarily it was written for xylophone, but later adapted to various kinds of instruments. It is one of the best-known examples of circus music.
King played Baritone horn in many circus bands including Barnum and Bailey's, for more than a decade. [1] As is common in his compositions, Karl King made the baritone part a major voice in the march. [2] King was asked by the bandmaster of the Barnum and Bailey Circus Ned Brill to write a march for the circus. [3]
Screamers were mostly composed in a 60-year period (1895–1955). Circuses were in need of music that would stir the audience into a frenzy, as four-footed animals galloped across the ring. Because march music was a prominent part of American music at that time, and because it carried such a quick tempo, it was this that ringmasters demanded.