Search results
Results from the WOW.Com Content Network
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]
Jan Nisar Akhtar (18 February 1914 – 19 August 1976) was an Indian poet of Urdu ghazals and nazms, and a part of the Progressive Writers' Movement, who was also a lyricist for Bollywood. [ 1 ] He was the son of Muztar Khairabadi and great grandson of Fazl-e-Haq Khairabadi , who were both Urdu poets.
Qamar Jalalvi is regarded as one of the best classical Urdu Ghazal poets. His ghazal poetry has a unique simplicity of expression. A poet from the age of eight, Qamar Jalalvi's writing had become quite popular by the time he was in his 20s. He lived a life of financial hardship, working for many years at bicycle repair shops.
Wali Muhammad Wali (1667–1707), also known as Wali Dakhani, Wali Gujarati, and Wali Aurangabadi, was a classical Urdu poet from India.. He is considered by many scholars to be the father of Urdu poetry, [1] being the first established poet to have composed ghazals in the Urdu language and compiled a divan (a collection of ghazals where the entire alphabet is used at least once as the last ...
Khwaja Haider Ali Aatish Lakhnawi is one of the giants of Urdu literature. Aatish and Imam Baksh Nasikh were contemporary poets whose rivalry is well known. Both had hundreds of disciples. The era of Aatish-Nasikh was a golden era for Urdu poetry in Lucknow. Aatish is mostly known for his ghazals, and for his amazing and different style of poetry.
Farida Khanum (Urdu: فرِیدہ خانُم) is a Pakistani classical singer [broken anchor].She is also known by her honorific title Malika-e-Ghazal (The Queen of Ghazal) in both Pakistan and India [2] and is widely regarded as one of the greatest exponents of the ghazal genre of singing.
In Persian, Turkic, and Urdu ghazals, the qāfiya (from Arabic قافية qāfiya, lit. ' rhyme '; Persian: قافیہ; Azerbaijani: qafiyə; Urdu: قافیہ; Uzbek: qofiya) is the rhyming pattern of words that must directly precede the radif. [1] [2] The qāfiya is the actual rhyme of the ghazal. [3]
The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain. [2] [3]