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This is a list of paintings by the British Pre-Raphaelite artist Dante Gabriel Rossetti. Most painting details are referenced from the Rossetti Archive, [ 1 ] with some additional paintings researched from The Walker Art Gallery.
Dante Gabriel Rossetti's painting of Pandora holding the box, 1871. Two poems in English dealing with Pandora's opening of the box are in the form of monologues, although Frank Sayers preferred the term monodrama for his recitation with lyrical interludes, written in 1790. In this Pandora is descending from Heaven after being endowed with gifts ...
Self-portrait, 1847 Original manuscript of Autumn Song by Rossetti, 1848, Ashley Library Portrait of Frances Gabriele Rossetti the Artist's Mother (1877). The son of émigré Italian scholar Gabriele Pasquale Giuseppe Rossetti and his wife Frances Mary Lavinia Polidori, Gabriel Charles Dante Rossetti was born in London, on 12 May 1828.
She was a model and muse to her husband William Morris and to Dante Gabriel Rossetti. [1] ... Oil on canvas 13 + 1 ⁄ 2 × 11 ... Aberdeen Art Gallery. Pandora, 1869 ...
The Girlhood of Mary Virgin by Rossetti (1849), Tate Britain.. Rossetti deliberately used a limited colour range for this oil painting. The predominance of white, symbolic of virginity, is complemented by vibrant blue (a colour associated with Mary, though notably not used in his The Girlhood of Mary Virgin in 1849) and red, for Christ’s blood.
Pandora is a c.1896 painting by John William Waterhouse, now in a private collection. The painting is titled Pandora in honor of Pandora , the first woman according to Greek mythology . [ 1 ] Created by order of Zeus to introduce all evil into the lives of men, after Prometheus , against divine will, gave them the gift of fire.
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Rossetti was commissioned by William Graham to paint for him a version of Beata Beatrix, which Rossetti at first resisted.After stopping and starting the work, he grew to enjoy revisiting the theme, and altered the suffusion of light from the original, increasing background definition, and perhaps the idealization of the subject. [6]