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In December 1996, Melody Maker ranked "Don't Look Back in Anger" number 31 in their list of "Singles of the Year". [23] In a 2006 readers' poll conducted by Q magazine, it was voted the 20th-best song of all time. [24] In May 2007, NME magazine placed "Don't Look Back in Anger" at No. 14 in its list of the "50 Greatest Indie Anthems Ever". [25]
List of music videos, showing year released and album name Title Year Album "The Combine Harvester" [86] 1976 The Combine Harvester "I Am a Cider Drinker" [86] Golden Delicious "Don't Look Back in Anger" [86] 2002 Never Mind the Bullocks Ere's The Wurzels "I Am a Cider Drinker 2007" [86] (with Tony Blackburn) 2007 non-album single "Ruby" [86] 2010
Tori Amos performing live at the Theatre at Ace Hotel in downtown Los Angeles, California, on Friday, December 1, 2017. American singer-songwriter Tori Amos has recorded songs for seventeen studio albums (including one album as part of Y Kant Tori Read) and a number of soundtracks and compilation releases.
Don't Look Back in Anger" is a song by Oasis. Other meanings of this phrase include: Don't Look Back in Anger, Irish TV series "Don't Look ...
Director D.A. Pennebaker's iconic "Don't Look Back," a 1967 documentary on the American rock 'n' roll bard, will launch the indie moviehouse's Direct Cinema: Then and Now miniseries.
After moving to California from Ohio at age 17, Carey pursued a career in modelling and was signed to Wilhelmina Models.In December 1995, while on the set of the music video for the British band Oasis' "Don't Look Back in Anger" single, she met the Oasis drummer, Alan White, as she was also one of the models for the music video.
Taylor Swift. John Shearer/TAS23/Getty Images for TAS Rights Management Taylor Swift has been known to channel feelings of rage in many of her hit songs. In celebration of her upcoming The ...
"Look Back in Anger" has a mixed reputation among Bowie commentators. NME critics Roy Carr and Charles Shaar Murray described it as "probably the low point" of the album, [2] while Nicholas Pegg considers it "one of Lodger's dramatic highlights" [4] and Chris O'Leary has called it "one of Bowie's strongest songs of the late Seventies". [5]