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Plays, perhaps particularly the heavier histories and tragedies, were frequently broken up with a short musical play, perhaps derived from the Italian intermezzo, with music, jokes and dancing, or were followed by an afterpiece known as a jigg, often consisting of scandalous or libellous dialogue set to popular tunes (anticipating the Ballad ...
In the form aioli, the word is a compound of Provençal ai, meaning "garlic", and oli, meaning "oil". [11] The English spelling comes from the French aïoli, which is an adaptation of an Occitan term. The spelling in Occitan may be alhòli, following the classical norm, or aiòli, following the Mistralian norm. [12]
The English phrase—"multipartite form"—is most often used by American musicologist Philip Gossett, beginning with a 1974 essay, [2] where referring to a general framework of melodramatic scene types, especially duets. Each scene gradually progresses from an opening static lyric moment to a finale through several standard musical tempos and ...
The Musical of Musicals (The Musical!) is a musical by Joanne Bogart and Eric Rockwell. [1] It has five acts, each of which is a short musical parodying (and paying homage to) the style of an American or British musical theater composer or composer/lyricist team, all dealing with roughly the same classic melodrama plot: "I can't pay the rent!"
Historic Outdoor Forest Theater in Carmel, California, at sunset. The following outline is provided as an overview of and topical guide to theatre: . Theatre – the generic term for the performing arts and a usually collaborative form of fine art involving live performers to present the experience of a real or imagined event (such as a story) through acting, singing, and/or dancing before a ...
It is the Liliom character who finally gives her the confidence she needs to face life. In Carousel, the characters of Marie and Wolf Beifeld in Liliom become Carrie Pipperidge and Mr. Snow who, a fisherman in the musical, is made even more pompous than in the original play. His children are the ones who so viciously taunt Louise, although, in ...
The main characters of the play tend not to be involved in the musical scenes, which means that Purcell was rarely able to develop his characters through song. Despite these hindrances, his aim (and that of his collaborator John Dryden) was to establish serious opera in England, but these hopes ended with Purcell's early death at the age of 36.
The 1975 musical Chicago was adapted from a 1926 play by Maurine Dallas Watkins, who was a reporter and used her experiences with real-life criminals to form the basis of the story. The musical Oklahoma! is an adaptation of the play Green Grow the Lilacs by Lynn Riggs .