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"A science fiction story is a story built around human beings, with a human problem, and a human solution, which would not have happened at all without its scientific content." [13] Basil Davenport. 1955. "Science fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society." [14] Edmund ...
"Something (A) is relevant to a task (T) if it increases the likelihood of accomplishing the goal (G), which is implied by T." [1] A thing might be relevant, a document or a piece of information may be relevant. Relevance does not depend on whether we speak of "things" or "information".
As a name for such a device, the word ansible first appeared in a 1966 novel by Ursula K. Le Guin. Since that time, the broad use of the term has continued in the works of numerous science-fiction authors, across a variety of settings and continuities. [1] Related terms are ultraphone and ultrawave. [2] [3]
The vocabulary includes words used in science fiction books, TV and film. A second category rises from discussion and criticism of science fiction, and a third category comes from the subculture of fandom. It describes itself as "the first historical dictionary devoted to science fiction", tracing how science fiction terms have developed over time.
The co-editor of the science fiction journal Extrapolation and a professor of English at the University of Georgia, Isaiah Lavender III, notes the usefulness of the dictionary for academic analysis of issues, saying "Having these origin dates in mind can help a student or scholar build a framework to analyze something like the concept of the ...
Grok (/ ˈ ɡ r ɒ k /) is a neologism coined by American writer Robert A. Heinlein for his 1961 science fiction novel Stranger in a Strange Land.While the Oxford English Dictionary summarizes the meaning of grok as "to understand intuitively or by empathy, to establish rapport with" and "to empathize or communicate sympathetically (with); also, to experience enjoyment", [1] Heinlein's concept ...
The use of "speculative fiction" in the sense of expressing dissatisfaction with traditional or establishment science fiction was popularized in the 1960s and early 1970s by Judith Merril, as well as other writers and editors in connection with the New Wave movement. However, this use of the term fell into disuse around the mid-1970s. [35]
Science fiction has sometimes been used as a means of social protest. George Orwell's Nineteen Eighty-Four (1949) is an important work of dystopian science fiction. [196] [197] It is often invoked in protests against governments and leaders who are seen as totalitarian.