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The Rubin vase illusion, where it is ambiguous which part is the figure and which the ground Shapes which can be read as a word once the viewer recognises them as being the isolated negative spaces of a word. Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision.
McLuhan used different words to describe the figure/ground relationship, sometimes using content for figure and environment or, more often, medium for ground. [2] "McLuhan looked at media through a figure/ground relationship." [1] To him, people tended to focus on only specific parts of the media, and disregard other parts. "To examine the ...
Figure and ground (media), a concept developed by media theorist Marshall McLuhan; Figure–ground (perception), referring to humans' ability to separate foreground from background in visual images. Figure-ground perception is one of the main issues in gestalt psychology. Figure-ground in map design, the ability to easily discriminate the main ...
A figure-ground diagram is a two-dimensional map of an urban space that shows the relationship between built and unbuilt space. It is used in analysis of urban design and planning . It is akin to but not the same as a Nolli map which denotes public space both within and outside buildings and also akin to a block pattern diagram that records ...
Figure-ground organization is a form of perceptual organization, which interprets perceptual elements in terms of their shapes and relative locations in the layout of surfaces in the 3-D world. [16] Figure-ground organization structures the perceptual field into a figure (standing out at the front of the perceptual field) and a background ...
Form perception is the recognition of visual elements of objects, specifically those to do with shapes, patterns and previously identified important characteristics. An object is perceived by the retina as a two-dimensional image, [1] but the image can vary for the same object in terms of the context with which it is viewed, the apparent size of the object, the angle from which it is viewed ...
Normally the brain classifies images by which object surrounds which – establishing depth and relationships. If one object surrounds another object, the surrounded object is seen as figure, and the presumably further away (and hence background) object is the ground, and reversed.
Op art is a perceptual experience related to how vision functions. It is a dynamic visual art that stems from a discordant figure-ground relationship that puts the two planes—foreground and background—in a tense and contradictory juxtaposition. Artists create op art in two primary ways.