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Electone is the trademark used for electronic organs produced by Yamaha. With the exception of the top end performance models, most Electones are based on the design of the spinet electronic organ . Current models are completely digital and contain a variety of sounds, effects, and accompaniments, on top of the ability to store programming data ...
Magna Organ introduced in 1935, [7] [8] was a multi-timbral keyboard instrument invented in 1934 by a Yamaha engineer, Sei-ichi Yamashita. It was a kind of electro-acoustic instrument, an acoustic instrument with additional electronic circuits for sound modification.
John Compton Organ Company of Acton – Nottingham and London (now Makin Organs) Copeman Hart Organs — Shaw (now part of ChurchOrganWorld) Eminent UK — Designer of British organs and exclusive distributor of the Eminent brand. Based in Wincanton. Kentucky (a small company based out of Poole, Dorset headed by Ken Tuck.
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: Hammond-style organs used in pop, rock and jazz;
The Yamaha GX-1, first released as Electone GX-707, [a] [3] is an analog polyphonic synthesizer developed by Yamaha as a test bed for later consumer synths and Electone series organs for stage and home use.
Yamaha Corporation (ヤマハ株式会社, Yamaha Kabushiki gaisha, / ˈ j ɑː m ɒ ˌ h ɑː /; Japanese pronunciation:) is a Japanese musical instrument and audio equipment manufacturer. It is one of the constituents of Nikkei 225 and is the world's largest musical instrument manufacturing company.
A combo organ, so-named and classified by popular culture due to its original intended use by small, touring jazz, pop and dance groups known as "combo bands", as well as some models having "Combo" as part of their brand or model names, is an electronic organ of the frequency divider type, generally produced between the early 1960s and the late 1970s.
When pedal parts are performed, a 16′ stop is usually paired with an 8′ one to provide more definition. For pedal parts that need accentuation, such as the Cantus Firmus melody in a 17th-century organ piece, many organs have a nasal-sounding reed stop in the pedal division, or a 4′ Principal designated on the stop knob as "Choralbass".