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2. Shadja - Wikipedia

   en.wikipedia.org/wiki/Shadja

   Therefore, it collectively means giving birth to the other 6 notes of the music. The frequency of Shadaj and the related svara are chosen relative to the performer. If the Shadaj is 240 Hz, for example, the frequencies of the seven svaras are also given below: Sa 240 Hz, Re 270 Hz, Ga 300 Hz, Ma 320 Hz, Pa 360 Hz, Dha 400 Hz, and Ni 450 Hz, Sa ...

3. List of ragas in Hindustani classical music - Wikipedia

   en.wikipedia.org/wiki/List_of_ragas_in...

   This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.

4. Bhinna Shadja - Wikipedia

   en.wikipedia.org/wiki/Bhinna_Shadja

   Bhinna Shadja is a raga of Hindustani classical music belonging to the Bilaval Thaat (Melakarta No. 29 Dheerashankarabharanam). It contains five Shuddha Swaras: Shadaja, Gandhar, Madhyama, Dhaivata, and Nishad. Rishabh and Pancham are omitted. In the form of notation it contains S, G, M, D and N.

5. Gandhara (svara) - Wikipedia

   en.wikipedia.org/wiki/Gandhara_(svara)

   When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. [3] So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Ga is formed from Shadja. The frequency of Gandhara is 300 Hz.

6. Vatapi Ganapatim - Wikipedia

   en.wikipedia.org/wiki/Vatapi_Ganapatim

   The hymn is composed in Hamsadhvani raga (musical mode); however, in tradition of kritis, individual performers add their own variations in the tune as a part of improvisation. Vatapi Ganapatim is considered the best-known piece of Muthuswami Dikshitar and is one of the most popular compositions of Carnatic music (South Indian classical music ...

7. Pancham (svara) - Wikipedia

   en.wikipedia.org/wiki/Pancham_(svara)

   Pancham or panchama is the fifth svara from the seven svaras of Hindustani music and Carnatic music. [1] [2] Pancham is the long form of the syllable प. [3] For simplicity in pronouncing while singing the syllable, Pancham is pronounced as Pa (notation - P). It is also called as पंचम in the Devanagri script.

8. Nishada (svara) - Wikipedia

   en.wikipedia.org/wiki/Nishada_(svara)

   When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. [4] So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other six notes of the music. So the svara Ni is formed from Shadja. The frequency of Nishada is 450 Hz.

9. Dhaivata (svara) - Wikipedia

   en.wikipedia.org/wiki/Dhaivata_(svara)

   When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. [4] So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other 6 notes of the music. So the svara Dha is formed from Shadja. The frequency of Dhaivata is 400 Hz.