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It was released by Mosfilm in 1980. [1] The film's plot is based on the novel Oblomov (Russian: Обломов), written by Ivan Goncharov, which tells the story of Ilya Ilyich Oblomov, a middle-aged nobleman living in 19th-century Saint Petersburg. This central character exemplifies the superfluous man concept found in 19th-century Russian ...
Pages in category "Urdu-language Indian films" The following 125 pages are in this category, out of 125 total. This list may not reflect recent changes. *
7 Din Mohabbat In (lit. ' Love in 7 Days ') is a 2018 Pakistani romantic comedy film with fantasy elements. It was directed by Meenu–Farjad under Matteela Films. Written by Fasih Bari Khan, the film features Mahira Khan and Sheheryar Munawar in lead roles and also stars Amna Ilyas, Mira Sethi, Hina Dilpazeer and Javed Sheikh.
This article lists Urdu-language films in order by year of production.Below films are mostly from Pakistan along with some Indian Urdu movies. For a full list of Pakistani films, including Punjabi language, Bengali language films and Urdu see List of Pakistani films.
The Day Shall Dawn; Deewanay Do; Deewane Tere Pyar Ke; Dehleez (film) Dekh Magar Pyaar Say; Delhi Gate (film) Devar Bhabi; Devdas (1965 film) Dhai Chaal; Dil Diyan Gallan; Dil Ke Tukre; Dil Mera Dhadkan Teri; Dil Mera Dharkan Teri (1968 film) Dillagi (1974 film) Diya Aur Toofan (1969 film) Do Ansoo; Do Raste; Dobara Phir Se; The Donkey King ...
The following pages for each decade list films produced in Pakistan by year of release. Pre-1950. List of Pakistani films before 1950; 1950s. List of Pakistani films ...
This is a list of films produced by the Indian Hindi-language film industry, popularly known Bollywood, based in Mumbai ordered by year and decade of release. Although "Bollywood" films are generally listed under the Hindi language, most are in Hindustani and in Hindi with partial Bhojpuri, Punjabi, Urdu and occasionally other languages ...
In a 2004 review of the film's DVD release, John Beifuss of The Commercial Appeal called the film "arguably the find of the year, for cult movie fans", writing: "A mind-bending fusion of Hammer-style vampirism with the exotic song-and-dance numbers that are all but mandatory for movies made in Pakistan and India, [Zinda Laash] is both derivative and innovative, campy and scary."