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The scientific study of music's deep correlation with autobiographical memories gained prominence in the early 2000s, when the term “music-evoked autobiographical memory” was coined by cognitive neuroscientist Petr Janata and colleagues, who first described the phenomenon in healthy undergraduate students.
Recent studies have used non-verbal cues for memory, such as visual images, music or odours. [40] Emerging evidence suggests that music is a strong cue for autobiographical memories. Compared to face-evoked, food-evoked, and television-evoked cues, music-evoked autobiographical memory cues were found to be more salient through measures ...
Walk This Way: The Autobiography of Aerosmith; Walt's Time; The Way I Am (book) Westlife: Our Story; White Bicycles; White Line Fever (book) Who I Am (book) Willie: An Autobiography; The Woman in Me (memoir) Wonderful Today; Wouldn't It Be Nice: My Own Story
Explicit musical memory is further differentiated between episodic (where, when and what of the musical experience) and semantic (memory for music knowledge including facts and emotional concepts). Implicit memory centers on the 'how' of music and involves automatic processes such as procedural memory and motor skill learning – in other words ...
The Storyteller: Tales of Life and Music is a 2021 autobiography by American rock musician Dave Grohl, founder of Foo Fighters and formerly drummer of Nirvana.The book consists of a selection of short stories and anecdotes, which Grohl likened to the songs on an album.
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David Copperfield is the contemporary of two major memory-based works, William Wordsworth's The Prelude (1850), an autobiographical poem about the formative experiences of his youth and Tennyson's In Memoriam (1850) which eulogises the memory of his friend, Arthur Hallam. [19]
Musical memory refers to the ability to remember music-related information, such as melodic content and other progressions of tones or pitches. The differences found between linguistic memory and musical memory have led researchers to theorize that musical memory is encoded differently from language and may constitute an independent part of the phonological loop.