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Zoom Workplace (commonly known and stylized as zoom) is a proprietary videotelephony software program developed by Zoom Communications. The free plan allows up to 100 ...
¿Y cómo es él? may refer to: ¿Y cómo es él? (song), a 1982 song by José Luis Perales ¿Y cómo es él? (film), a 2022 Mexican romantic comedy film
Former logo (2014-2022) Zoom was founded by Eric Yuan, a former corporate vice president for Cisco Webex. [6] He left Cisco in April 2011 with 40 engineers to start a new company, [2] originally named Saasbee, Inc. [7] The company had trouble finding investors because many people thought the videotelephony market was already saturated. [7]
¿Y cómo es él? ( Spanish for "And What Is He Like?") is a 2022 Mexican romantic comedy film directed by Ariel Winograd. The film's title is inspired by the song of the same name performed by José Luis Perales , and a remake of the 2006 Korean film Driving with my Wife’s Lover . [ 1 ]
Cuando me enamoro (English: Timeless Love [1]) is a Mexican telenovela produced by Carlos Moreno Laguillo for Televisa.It is based on the 1998 telenovela La mentira. [2]Silvia Navarro and Juan Soler star as the protagonists, while Rocío Banquells, [3] Lisardo and Jessica Coch star as the antagonists.
"¿Y cómo es él?" (Spanish for And what is he like?) is a song composed in 1981 by José Luis Perales and released in 1982. [1] The song was originally composed for Julio Iglesias and it has been covered by Raphael among others. [2] In 2010, American singer Marc Anthony covered "¿Y cómo es él?" on his album Iconos.
Eric S Yuan [5] (Chinese: 袁征; pinyin: Yuán Zhēng; born 20 February 1970) is a Chinese-American billionaire businessman, engineer, and the chief executive officer and founder of Zoom Communications, of which he owns 22%. [6] [7]
In filmmaking and television production, zooming is the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom. The technique allows a change from close-up to wide shot (or vice versa) during a shot, giving a cinematographic degree of freedom. But unlike changes ...