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pay-TV, movie and series channel: Dutch / French: Proximus VDSL network in Flanders, Brussels and Wallonia. Qmusic TV: DPG Media: music station: Dutch: Cable networks in Flanders and Brussels - Satellite. Radio Contact Vision: DPG Media & Groupe Rossel: visual radio: French: Cable networks in Wallonia and Brussels - Satellite. Ring TV
The cinema honoured Belgian director Jean Harlez in early 2014, when it screened Harlez' most famous film, Le Chantier des Gosses , for seven weeks. [ 4 ] In January 2024, as part of a program leading up to its acquisition of a new long lease on its premises 31 March 2024, Cinéma Nova opened its program with a screening of Le chantier des ...
BRT [2] (Belgische Radio en Televisie), now VRT (Vlaamse Radio- en Televisieomroeporganisatie), for the Flemish community and 1978, RTB [3] (Radiodiffusion-télévision belge), now RTBF, for the Walloon (Francophone) community. There were also radio programmes for German-speaking Belgians who since 1965 have a separate organisation now known as ...
In November 1988, Kinepolis Brussels was opened by Kinepolis as the first branch of the European chain, with 25 screens and 7,600 seats, [1] credited as being both the first and the then-largest cinema Megaplex in the world.
BVN was a joint Dutch-Flemish TV station for international audiences; some VRT programmes aired as part of BVN's schedule. The VRT left the BVN venture in July 2021; the channel is currently owned exclusively by the Dutch public broadcaster NPO and airs an exclusively Dutch schedule.
Ciné+ OCS is a group of French thematic pay television networks operated by Canal+ Thématiques, and distributed by Canal+ on satellite TV, cable, and IPTV.. Launched in 1991, the channels were originally only dedicated to films, with the exception of Ciné+ Frisson which broadcast two television series from 2012 to 2017.
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"Direct cinema is the result of two predominant and related factors—The desire for a new cinematic realism and the development of the equipment necessary to achieving that desire" [3] (Monaco 2003, p. 206). Many technological, ideological and social aspects contribute to the direct cinema movement and its place in the history of cinema.