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Masses, Passions, Oratorios is the subject of the second series of the Neue Bach-Ausgabe (NBA, New Bach Edition), [1] a publication of Johann Sebastian Bach's music from 1954 to 2007.
Vivaldi structured the Magnificat, RV 610, in nine movements, eight for the text of the canticle (Luke 1:46-55) and the conclusion for the doxology.Set in G minor, it is scored for two soprano soloists, alto and tenor soloists, SATB choir, two oboes, violin I and II, viola, and basso continuo, such as cello and a keyboard instrument.
After each biblical verse, i.e. as a sticheron, the following megalynarion or troparion is sung: More honourable than the Cherubim, and more glorious beyond compare than the Seraphim, without corruption thou gavest birth to God the Word: true Theotokos, we magnify thee. [17] As a canticle, the Magnificat has frequently
Willan in E flat Willan (Faux-bourdons) Williams in C Willis Derby Service Wills in D Wills on Plainsong Tones (Men's voices) Wise in E flat Wise in F Wood in A flat Wood in A minor Wood in C Wood in C minor Wood in E (Men's voices) Wood in E flat No. 1 Wood in E flat No. 2 Wood in F Wood in F (Collegium Regale) Wood in G Wood founded on an old ...
Pièces d'orgue, Livre 1 (1739): 6 Suites in major and minor keys, each containing a six-movement Magnificat, e.g. Magnificat I from Organ Suite in D Major ⓘ Johann David Heinichen: 1683 1729 Magnificats: in G major (S. 89), in A major (S. 90), in F major (S. 91/92), in B flat major (S. 93/94/95), in E flat major (S. 96) Christoph Graupner ...
The Magnificat in E-flat major, BWV 243a, also BWV 243.1, [1] by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements , scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets ...
The extant autographs of Bach's Magnificat show three versions of his Magnificat: E ♭ major version without Christmas interpolations, which is how it was probably first performed, [1] at least the autograph of the E ♭ major version of the Magnificat (BWV 243a) suggests that Bach intended to perform the first version of his Magnificat also without the laudes, depending on circumstances, for ...
For that performance Bach composed four laudes, songs of praise partly in German, partly in Latin to be inserted at certain points in the E-flat major version of the Magnificat. [4] [37] The E-flat major version of the Magnificat including these interpolations is known as BWV 243.1 (previously BWV 243a).