Search results
Results from the WOW.Com Content Network
"Crying in the Chapel" is a song written by Artie Glenn and recorded by his son Darrell Glenn. The song was released in 1953 and reached number six on the Billboard chart. The song has also been recorded by many artists including the Orioles and June Valli , but the most successful version was by Elvis Presley , whose recording reached number ...
"Crying in the Chapel" is song by Australian pop singer Peter Blakeley. The song was released in November 1989 as the lead single from Blakeley's second studio album, Harry's Café De Wheels (1990). It was Blakeley's first single to receive commercial success, peaking at #3 on the ARIA Singles chart, and was certified Platinum. [1]
Peter Blakeley is an Australian white soul/adult contemporary singer and songwriter.. Blakeley was a lead singer of the Rockmelons in the mid-1980s. He launched a solo career in 1987 and had a massive hit single in Australia in 1989 with "Crying in the Chapel", which was not a remake of the 1950s song "Crying in the Chapel".
Darrell Orvis Glenn (December 7, 1935 – April 9, 1990) was an American singer and songwriter. He first made his mark in the music business with his recording of "Crying in the Chapel" released in 1953, written by his father, Artie Glenn. [1]
Harry's Café De Wheels is the second studio album by Australian singer Peter Blakeley.The album was released in November 1989 by Capitol Records.. At the ARIA Music Awards of 1991, the album was nominated for Best Cover Art.
Adele started the last carpool karaoke episode with a bang—literally, by banging cymbals to wake James Corden up and take him to work. But this is far from the typical installment of the viral ...
Crying in the Chapel" is a 1953 song by Artie Glenn. Crying in the Chapel may also refer to: Crying in the Chapel, 2001 album by Country Gentlemen "Crying in the Chapel" (Peter Blakeley song), 1990 song by Peter Blakeley
The reviewer concluded that How Great Thou Art was "good listening," and that Crying in the Chapel presented Presley in "near his best." [ 34 ] Journal & Courier wrote that the album was "well sung," [ 35 ] while El Paso Times mentioned Presley's transition from "teenage to later pop," and it considered the style of the album "smooth and ...