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The Ducal Museum Gotha (German: Herzogliches Museum Gotha) is a museum in the German city of Gotha, located in the Schlosspark to the south of the Schloss Friedenstein. Its collection was the art collection of the former Duchy of Saxe-Gotha, consisting of Egyptian and Greco-Roman antiquities, Renaissance paintings such as The Lovers, Chinese ...
Friedenstein Palace (German: Schloss Friedenstein) is an early Baroque palace built in the mid-17th century by Ernest I, Duke of Saxe-Gotha at Gotha, Thuringia, Germany. In Germany, Friedenstein was one of the largest palaces of its time and one of the first Baroque palaces ever built.
Twenty-one years later, the painting was stolen. In the early hours of 14 December 1979, one or more burglars broke into Friedenstein Palace and stole the Portrait of a Man in a Wide-Brimmed Hat as well as works by (or after) Ferdinand Bol , Jan Brueghel the Elder , Anthony van Dyck , and Hans Holbein the Elder [ 4 ] in an evidently carefully ...
WORCESTER — The Worcester Art Museum is one of three American museums being accused of illegally possessing 13th-century stained-glass windows allegedly stolen from Rouen Cathedral in France.. A ...
The chalk-painting "Bord de Mer," by Claude Monet, created in 1865. The painting was stolen from Adalbert Parlagi by the Nazis in 1940, and returned to his descendants by the New Orleans FBI ...
The same painting had been stolen from the same museum on June 4, 1977, and was recovered ten years later [14] in Kuwait. [15] The painting is small, measuring 65 x 54 cm, and depicts yellow and red poppy flowers. [16] It is believed that van Gogh painted it in 1887, three years before his suicide. [14] $50–55,000,000 [11] ¥100,000,000
Art Recovery International, a company focused on locating and recover. After a stopover in the U.S. that lasted the better part of a century, a baroque landscape painting that went missing during ...
The Lovers (German - Liebespaar) or The Gotha Lovers (Gothaer Liebespaar) is a c.1480 oil on panel painting attributed to the Master of the Housebook (drawing hand Ib). [1] It is the first German large-format double portrait panel painting that does not depict a religious or liturgical scene.