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Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
The rumba flamenca dance has some origins in Catalonia, specifically in the downtown areas of Barcelona, where gypsies performed rumba catalana at the times of this genre's flowering popularity. The dance that it accompanied was improvised with prominent hip and shoulder movements, more overtly sexual than other styles of flamenco dances. [5]
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]
Jules Shungu Wembadio Pene Kikumba [1] ONH (14 June 1949 – 24 April 2016), known professionally as Papa Wemba (French pronunciation: [papa wɛmba]), was a Congolese singer and musician who played Congolese rumba, soukous, and ndombolo. [2]
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano , but also conga and rumba .
Bán Rarra, a Cuban rumba dance group, in Havana, Cuba. La técnica cubana is a hybrid of Afro-Cuban dance traditions, European ballet, rumba, flamenco, Cuban nightclub cabaret, and North American dance. [1] The goal in creating técnica was to establish a distinctly Cuban modern dance form that represented Cuba's multicultural population.
The Son cubano itself was born from a synthesis of different popular styles such as the Rumba Urbana and Rumba Rural, and performed until the 1930s by amateur musicians. [ 7 ] Another Cuban folk music style emerged between the end of the 19th century and the beginning of the 20th in the poor neighborhoods of Havana .