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Zoom Corporation was founded in Tokyo in 1983 and in 2004, established ZOOM HK LTD as a logistics base in Hong Kong. In 2009, it set up ZOOM Dongguan Corporation (China) as a quality control operation; [3] 2013, formed ZOOM North America, LLC (US) as a distribution base; 2017, listed on Tokyo Stock Exchange JASDAQ (Standard); [4] [5] In 2018, acquired shares of Mogar Music S.p.A. (Italy ...
A custom-painted Fuzz Factory by Laura Bennett, an artist previously in the employ of Z.Vex Effects. Each unit is handpainted, and while there is a stock design that adorns most models of the pedal, there have been several variations released in limited quantity, including sparkle finishes, kanji finishes (writing and labelling of controls are in Japanese kanji characters), Korean finishes ...
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Zoom Corporation — products of the Japanese music equipment manufacturer based in Tokyo. Pages in category "Zoom Corporation" The following 8 pages are in this ...
This pedal was designed for the Scottish band Mogwai, and has a slightly more extreme sound. Electro-Harmonix produced only 100 Mogwai Big Muff pedals. In 2017 Electro-Harmonix reissued the Sovtek Big Muff, commonly known as the 'Green Russian' [6] Deluxe Bass Big Muff Pi. Note the blend knob and crossover section.
As Reznor explains in retrospect: "Broken [...] had a lot of the super-thick chunk sound, and almost every guitar sound on that record was [tapes consisting of] me playing through an old Zoom pedal and then going direct into Digidesign's TurboSynth [software in a Macintosh computer]. Then I used a couple of key ingredients to make it [be heard ...
Effects units are available in a variety of form factors.Stompboxes are used in both live performance and studio recording. Rackmount devices saw a heavy usage during the later 20th century, due to their superior processing power and desirable tones as compared to pedal-style units.
Around 1970 production was changed to a die-cast metal box, with a large pedal featuring a rubber cover that had the words "Super-Fuzz" embossed on it. The first die cast units were either grey or black, with a green or black foot pedal. Around 1973 or so, they were all produced with an orange pedal, with a green or blue foot pedal.
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