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  2. Altered chord - Wikipedia

    en.wikipedia.org/wiki/Altered_chord

    By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional ...

  3. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning.

  4. Dominant seventh flat five chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_flat_five...

    In music theory, the dominant seventh flat five chord is a seventh chord composed of a root note, together with a major third, a diminished fifth, and a minor seventh above the root (1, ♮ 3, ♭ 5 and ♭ 7). For example, the dominant seventh flat five chord built on G, commonly written as G 7 ♭ 5, is composed of the pitches G–B–D ♭ –F:

  5. Tritone substitution - Wikipedia

    en.wikipedia.org/wiki/Tritone_substitution

    A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7 [ 7 ] (which could also be called ♭ V 7 /V, subV 7 , [ 7 ] or V 7 / ♭ V [ 7 ] ).

  6. Tonicization - Wikipedia

    en.wikipedia.org/wiki/Tonicization

    V of V in C, four-part harmony Secondary leading-tone chord: vii o 7 /V - V in C major. This may also be considered an altered IV 7 (FACE becomes F ♯ ACE ♭). [1]In music, tonicization is the treatment of a pitch other than the overall tonic (the "home note" of a piece) as a temporary tonic in a composition.

  7. Dominant seventh sharp ninth chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_sharp...

    In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.

  8. Diminished major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Diminished_major_seventh_chord

    Diminished major seventh chords are very dissonant, containing the dissonant intervals of the tritone and the major seventh.They are frequently encountered, especially in jazz, as a diminished seventh chord with an appoggiatura [citation needed], especially when the melody has the leading note of the given chord: the ability to resolve this dissonance smoothly to a diatonic triad with the same ...

  9. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    If the original chord in a song is G7 (G, B, D, F), the tritone substitution would be D ♭ 7 (D ♭, F, A ♭, C ♭). Note that the 3rd and 7th notes of the G7 chord are found in the D ♭ 7 chord (albeit with a change of role). The tritone substitution is widely used for V7 chords in the popular jazz chord progression "ii-V-I".

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