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Retrieved from "https://en.wikipedia.org/w/index.php?title=Double_bass_pedal&oldid=281796703"
The EB-1 had a solid mahogany body finished with a brown stain, and a raised pickguard, which was originally colored brown to more closely match the color of the body. It had a 30.5" scale [1] set neck—rather than the 34" scale of the Fender Precision Bass or the 41.5" scale of the 3/4-sized upright bass favored by many upright bassists of the time.
A model with a 4-string bass and a 6-string guitar neck was called the EBS-1250; it had a built-in fuzztone and was produced from 1962 to 1968 and again from 1977 to 1978. [ 4 ] In 1963, the solid-body EDS-1275 was designed, resembling the SG model ; this version of the doubleneck was available until 1968. [ 5 ]
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
Since its discontinuance, the HM-2 has become one of the most demanded pedals of the Boss back catalogue. [3] [1] [2] Guitarist and record producer Kurt Ballou has been cited as an influence for the pedal's resurgence [4] and bands such as Nails and Rotten Sound have also appropriated the pedal's sound for different extreme metal styles. [5]
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard 's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song " (I Can't Get No) Satisfaction ".
A few of the bass pedals designed to be used with electronic or clonewheel organs have features that operate the upper manual keyboards, such as an expression pedal or swell pedal, which is a treadle-style potentiometer for controlling the volume; buttons to turn on or change the speed of a Leslie speaker, a rotating horn speaker in a cabinet; or program change buttons, which send a MIDI ...
In 1969 and 1970, the headstock was replaced with a slotted one (similar to those on most classical guitars), with tuning keys mounted at ninety degrees downwards behind the head. Between 1962 and 1965, Gibson produced a more expensive version called the Gibson EB-0F , which while superficially near identical, bar a longer pickguard also ...
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