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The feet of an Arabic poem are traditionally represented by mnemonic words called tafāʿīl (تفاعيل).In most poems there are eight of these: four in the first half of the verse and four in the second; in other cases, there will be six of them, meaning three in the first half of the verse and three in the second.
Arabic Grammar in its Formative Age: Kitāb al-‘ayn and its Attribution to Halīl b. Aḥmad, Studies in Semitic Languages and Linguistics, 25 (Leiden: Brill, 1997). Includes a thorough assessment of al-Khalil's biography. Abdel-Malek, Zaki N. (2019) Towards a New Theory of Arabic Prosody, 5th ed. (Revised), Posted online with free access.
Al-Khalīl ibn ʿAḥmad al-Farāhīdī (711–786 CE) was the first Arab scholar to subject the prosody of Arabic poetry to a detailed phonological study. He failed to produce a coherent, integrated theory which satisfies the requirements of generality, adequacy, and simplicity; instead, he merely listed and categorized the primary data, thus ...
The Al-Kitaab series is a sequence of textbooks for the Arabic language published by Georgetown University Press with the full title Al-Kitaab fii Taʿallum al-ʿArabiyya (Arabic: الكِتاب في تَعَلًُم العَرَبِيّة, "The book of Arabic learning"). It is written by Kristen Brustad, Mahmoud Al-Batal, and Abbas Al-Tonsi ...
A bayt [a] (Arabic: بَيْت, romanized: bayt, pronounced, lit. ' a house ') is a metrical unit of Arabic, Azerbaijani, Ottoman, Persian, Punjabi, Sindhi and Urdu poetry. In Arabic poetry, a bayt corresponds to a single line divided into two hemistichs of equal length, each containing two, three or four feet, or from 16 to 32 syllables. [1]
Arabic prosody, study of poetic meters in Arabic; Aruz, Persian, Turkic and Urdu prosody, using the ʿarūż meters; English prosody, in the English language; Greek prosody, the theory and practice of versification in Greek; Kannada prosody, the study of metres used in Kannada poetry; Latin prosody, the study of Latin poetry and its laws of meter
Maqṭūʿ (Arabic: مقطوع) or maqṭūʿah (plural maqāṭīʿ) is a form of Arabic poetry. Maqāṭīʿ are epigrammatic: brief and generally witty.In the view of Adam Talib, the genre has been underrated by Western scholars, partly because of the low regard for extremely short verse forms in Western traditions.
Therefore, the fundamental unit of sajʿ prosody is the word, lafẓah (pl. Iafaẓāt), and not the syllable or the tafʿīlah. Angelika Neuwirth has defined saj' as: [ 17 ] short units rhyming in frequently changing sound patterns reiterating the last consonant and based on a common rhythm