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Vers des destins dignes de toi. Dieu protège la libre Belgique Et son Roi ! Ta longue paix autant que longs combats Au travail exerçait ta vaillance, Et tes progrès disaient à chaque pas Ton génie et ta fière endurance. Si ta force déborde et franchit ses niveaux, Verse-la, comme un fleuve, en de mondes nouveaux ! Refrain:
Vers libre is a free-verse poetic form of flexibility, complexity, and naturalness [22] created in the late 19th century in France, in 1886. It was largely through the activities of La Vogue , a weekly journal founded by Gustave Kahn , [ 23 ] as well as the appearance of a band of poets unequaled at any one time in the history of French poetry ...
droit du seigneur lit. "right of the lord": the purported right of a lord in feudal times to take the virginity of one of his vassals' brides on her wedding night (in precedence to her new husband). The French term for this hypothetical custom is droit de cuissage (from cuisse: thigh). du jour
These three similar terms (in French vers libres and vers libre are homophones [20]) designate distinct historical strategies to introduce more prosodic variety into French verse. All three involve verse forms beyond just the alexandrine, but just as the alexandrine was chief among lines, it is the chief target of these modifications.
Georges de Brébeuf was born into an illustrious Norman family, most likely at Torigni-sur-Vire, Manche. [3] One of his ancestors had followed William the Conqueror into England, and he was himself the nephew of the Jesuit missionary to Canada Jean de Brébeuf (who was later made a saint after his death at the hands of the Iroquois).
Boabdil's Farewell to Granada (French: L'Adieu du roi Boabdil à Grenade) is an oil-on-canvas painting by Alfred Dehodencq. It was first exhibited at the Salon of 1869 and is currently in the collection of the Musée d'Orsay. [1] [2] There are numerous drawn studies and two painted sketches by Dehodencq that show little variation with the ...
He was a writer of vers libre and founded the highly influential journal Entretiens politiques et littéraires (1890–92). [2] He wrote symbolist and vers-libre poetry. His first collection, Cueille d'avril, appeared in 1885. He practiced a relaxed prosody, which did not take into account the obligatory alternation of masculine and feminine ...
"Le bon roi Dagobert" (French for "The good king Dagobert") is a French satirical anti-monarchical and anti-clerical song written around 1787. [1] It references two historical figures: the Merovingian king Dagobert I (c. 600–639) and his chief advisor, Saint Eligius (Éloi) (c. 588–660), the bishop of Noyon .