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The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
During the 1970s, the MC-2300 was an expensive piece of audio equipment, with a retail price of $1799 by the time of its discontinuation in 1980. [1] That being said, its outstanding power and sound production quality made it a valued part of many recording studios and although some people prefer the sound of tube amplifiers, the overall greater reliability and freedom from repair of the newer ...
Steve Kimock – 50-watt and 100-watt Dumble Overdrive Specials [34] Ben Harper – 3 × Overdrive Specials (50w head + 2×12" Cabinet, 100/50w 1×12" Combo, 100/40w Head + matching 1×12" Cabinet) [ 35 ] In March 2016, Harper explained that Dumble had him plug his guitar directly into the oscilloscope so he could note the frequency patterns of ...
The 75 Watt Fender Rumble 75 Bass Combo Amp and its 150 Watt and 300 Watt counterparts can produce an overdrive effect by using the gain and blend controls, giving overdrive sounds ranging from "mellow warmth [to] heavy distorted tones". [16] The Fender SuperBassman is a 300-watt tube head which has a built-in overdrive channel.
These gifts show you care, but they aren't overly expensive. Inside, shop gifts under $300 from Apple, De'Longhi, Nintendo, Loewe, Smeg, and more.
Fischer's final design, the Songwriter 30, was licensed under Komet Amps. It features four cathode-biased EL84/6BQ5 output tubes and two 12AX7 preamp tubes. The amp's name is derived from its distinct clean sound, which Fischer felt was well-suited for singer-songwriters. Both amplifiers are still in production by their respective manufacturers.
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