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The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns. The governor has bidden one of the soldiers ...
At the apex of the heavenly light there is an almost hidden inscription of IHS, the first three letters of Jesus's name in Greek. [6] This is the only representation of Christ in the ceiling painting. Christ is considered the light of the world; Gaulli took this literally when choosing to depict Christ by his initials and the heavenly light.
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus , celebrated at Christmas , are based on the narratives in the Bible, in the Gospels of Matthew and Luke , and further elaborated by written, oral and artistic tradition.
C. The Calling of Saints Peter and Andrew; The Calling of Saint Matthew; Cardinal Albert of Brandenburg before Christ on the Cross; Christ Among the Doctors (Dürer)
Albrecht Dürer produced a total of three print cycles of the Passion of Christ: large (7 scenes before 1500, with a further 5 in 1510) and small (36 scenes in 1510) cycles in woodcut, [14] and one in engraving (16 scenes, 1507–1512). [15] These were distributed all over Europe, and often used as patterns by less ambitious painters.
Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen. The conventional image of a fully bearded Jesus with long hair emerged around AD 300, but did not become established until the 6th century in Eastern Christianity, and much later in the West.
The painting is a two-figure composition of a life-size scale, with Mary Magdalene positioned on the left and Jesus Christ on the right. The painting depicts the moment when, according to the Gospel narrative, Mary Magdalene recognises the resurrected Christ. With a gesture of his right hand, Christ stops her impulse to touch him, saying, "Do ...
Self-Portrait with Halo and Snake, an oil painting on wood completed in 1889, was both a reflection of this and his fixation with portraying himself as Christ. The painting features Gauguin with an elongated neck staring at an object the viewer is not able to see. In addition to his abstract features, he includes a halo above his head.