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ECM's motto is "the most beautiful sound next to silence", taken from a 1971 review of ECM releases in Coda, a Canadian jazz magazine. [1] ECM has been distributed in the U.S. by Warner Bros. Records, PolyGram Records, BMG, and, since 1999, Universal Music, the successor of PolyGram, worldwide.
ECM 2600 2018-04 NFM Wrocław Philharmonic, Tõnu Kaljuste Arvo Pärt: The Symphonies: ECM New Series ECM 2601/02 2018-10 Keith Jarrett La Fenice: ECM 2603 2018-05 Nik Bärtsch’s Ronin Awase: ECM 2604 2019-03 Giovanni Guidi Avec le temps: ECM 2605/06 2018-10 Philharmonisches Staatsorchester Hamburg, Kent Nagano Arche: ECM New Series ECM 2607 ...
Personally, I admire jazz musicians like Louis Armstrong, Ahmad Jamal and Count Basie, who showed that less is more. But before meeting Manfred Eicher, I hardly practiced it myself." [6] (Artist Interviews) Eicher has produced most of the records released on his label. Each jazz record takes an average of two days to record and one day to mix.
JAPO Records was a German record label founded in 1970 that specialized in jazz.It was a division of ECM Records.JAPO stands for Jazz by Post. [1] The label existed from 1970 until 1985 and produced over 40 jazz fusion and free jazz records from musicians all over the world, the majority of them European.
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Frisell's major break came when guitarist Pat Metheny was unable to make a recording session and recommended Frisell to Paul Motian, who was recording Psalm (1982) for ECM Records. [6] Frisell became ECM's in-house guitar player through the 1980s and worked on several albums, including notably Jan Garbarek's 1982 Paths, Prints.
Different Rivers is an album by Norwegian jazz saxophonist Trygve Seim, released on ECM Records. [3] Released in 2000, Different Rivers was Seim's solo debut for ECM Records and began his long association with the label, as both a leader and sideman.
ECM, Pathfinder Records, Tone Center Musical artist Bill Connors (born September 24, 1949) is an American jazz guitarist who was a member of Chick Corea 's band Return to Forever .
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