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A camera (with teleprompter unit) mounted on a pedestal A camera pedestal is an item upon which television cameras are mounted, typically seen in television studios . Unlike tripods , pedestals give camera operators the ability to move the camera in any direction (left, right, forward, back, up, down).
This glossary of geography terms is a list of definitions of terms and concepts used in geography and related fields, including Earth science, oceanography, cartography, and human geography, as well as those describing spatial dimension, topographical features, natural resources, and the collection, analysis, and visualization of geographic ...
Pedestal crater; Pedestal desk; Pedestal table, a table with a single central leg; Pedestal toilet for sitting, as opposed to squat toilet for squatting; Camera pedestal, a column with a steerable base used to mount a television camera; Telecommunications pedestal, a ground-level housing for a passive connection point for underground cables.
Another one is the camera axis which changes with the angle of the camera. [3] To capture a vertical aerial photograph, both of these axes must be in the same position. [ 3 ] The vertical pictures are captured by the camera which is above the object being photographed without any tilting or deviation of the camera axis. [ 5 ]
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A. A la carte pay television; Active antenna; Actor; Television addiction; Addressability; Television advertisement; Affiliated station; After school special
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
This process included a lengthy alignment process in which the vision engineer would work with the camera operator, to adjust the settings on both the actual camera and the CCU in tandem. [1] During production, it was the vision engineers' job to operate the CCUs and control both the exposure and the colour balance .