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A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...
Scales are typically listed from low to high pitch. Most scales are octave-repeating, meaning their pattern of notes is the same in every octave (the Bohlen–Pierce scale is one exception). An octave-repeating scale can be represented as a circular arrangement of pitch classes, ordered by increasing (or decreasing) pitch class.
In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide , sweep bend , smear , rip (for a loud, violent glissando to the beginning of a note), [ 1 ] lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument ...
In English the word "microtonality" is mentioned in 1946 by Rudi Blesh who related it to microtonal inflexions of the so-called "blues scales". [24] In Court B. Cutting's 2019 Microtonal Analysis of “Blues Notes” and the Blues Scale , he states that academic studies of the early blues concur that its pitch scale has within it three ...
The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV). The progression also makes possible a chromatic descent across a minor third: 8 ^ {\displaystyle {\hat {8}}} – ♯ 7 ^ {\displaystyle {\hat {7 ...
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
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