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Gothamist and Thrillist have named it one of New York City's best music venues. [10] [11] "From the beginning, opening the Mercury Lounge, it was all about the stage and the music – for the band, for the people coming to see the bands", Michael Swier told LA Weekly. "Whether it's the sound system, the acoustic treatment, the way the band ...
The Irish Repertory Theatre is the only year-round theatre company in New York City devoted to bringing Irish and Irish American works to the stage. The theater has been recognized with a 2007 Jujamcyn Award , a special Drama Desk Award for "Excellence in Presenting Distinguished Irish drama," and the Lucille Lortel Award for "Outstanding Body ...
Smithsonian Folklife Festival (curated for New York music, 2001) New York World Festival (Mediterranean, 2002) Global Beat of the Boroughs Concert Series (various, 2004) New York World Festival (Gulf Coast, 2004) Cultural Villages (various, with Riverside Theater, 2006–2007) Sizhu Silk and Bamboo Music Concert Series (Chinese, 2007)
The free-form evening will be more like a classic Irish music session than a formal gig, with attendees encouraged to get up and dance. Social, cultural traditions of Irish music celebrated at ...
2000 — Solas: Live! (VHS/DVD)—recorded on St. Patrick’s Day 1998, live at the Flynn Theater, Burlington, Vermont. Featuring behind-the-scenes interviews and rehearsal footage, this recording also aired on PBS as part of a St. Patrick’s Day special in 2000. 2000 — The Hour Before Dawn; 2002 — The Edge of Silence; 2003 — Another Day
Devine was born in New York. His father was born in Newmarket-upon-Fergus, County Clare and his mother was born in Mullinahone, County Tipperary. In 1965, it took Mr. Devine about 6 hours to announce the 5 games played there each Sunday. Mr. Devine was the play-by-play announcer at the Polo Grounds in a Gaelic football match of Meath vs. New York.
The Prodigals is an American Irish punk band that started in 1997. [1]Calling their genre of music "jig punk", [2] the Prodigals fall within a tradition epitomized by the Pogues and Black 47, merging traditional Celtic melodic roots with rock rhythms. [3]
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