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Pachelbel's Canon (also known as Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
Download as PDF; Printable version; ... Piano transcription of Pachelbel's Canon in D [9] ... Garden, Edward, Liner notes for Hyperion CDA 67326, Lyapunov: ...
It has inspired songs such as Rob Paravonian's "Pachelbel Rant" and the Axis of Awesome's "Four Chords", which comment on the number of popular songs borrowing the same tune or harmonic structure. [1] [2] "Four Chords" does not directly focus on the chords from Pachelbel's Canon, instead focusing on the I–V–vi–IV progression. [3]
For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality.
Download as PDF; Printable version; ... List of solo piano compositions by Wolfgang Amadeus Mozart; ... List of variations on Pachelbel's Canon;
Download as PDF; Printable version; ... Chaconne in D minor (Pachelbel) ... Pachelbel's Canon This page was last edited on 18 April 2020, at 03:02 (UTC). Text ...
A famous piano piece, "River Flows in You" in the key of F# minor by South Korean Pianist Lee Ru-ma or Yiruma, features a repetitive canon using the same key progression (F#, D, A, E x2). Since its recognition online, there have been multiple covers of the song, including a mashup of it with Johann Pachelbel's Canon and Gigue in D Major. [65]
HWV 310 – The first movement contains themes derived from the Trio sonatas, Op. 2, No. 1 and No. 8. The second movement uses Pachelbel’s Canon in D, chord progression. The closing Gavotte is a more elaborate reworking of a movement from the organ concerto, Op. 4, No. 3. The final gavotte is also thematically related to the aria from ...
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