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Jazz Meditation 2, which was released by Libyus Music, was the only album of the trilogy to gain a review, it received 3 stars out of 5 in a review by thewordisbond.com. [4] Jazz Meditation 3, the last of the trilogy, features the most rappers on an album by DJ Ezasscul. Supreme Sol is featured on the song "Take It Ez", Ghostra Nostra who is ...
The mid- to late-1970s included songs "Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition "Feels So Good" by flugelhorn player Chuck Mangione, in 1978, "What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusion group Spyro Gyra's instrumental "Morning Dance", released in ...
In 2016, Ignatiy Vishnevetsky of The A.V. Club described the song as "a placid piece of music that uses a sophisticated palette of synthesized instruments and futuristic sound effects to create a mood of calm that's very different from the sped-up themes usually associated with platform games", being "more nocturnal and urban than submarine".
Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation. There is some debate on what can be considered "new-age music"; for example several musicians in Celtic music or Smooth jazz have expressed annoyance at being labeled "new-age musicians".
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The music is harsher, more unsettled, with hints that agreement is occasionally lacking in the rhythm section." [ 24 ] Chris May, writing for All About Jazz , included the recording in his Coltrane "Alternative Top Ten Albums" list, and stated that, in comparison with Meditations , "if you prefer relatively gentler Coltrane, then First ...
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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.