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The original manuscript of the poem, BL Harley MS 2253 f.63 v "Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems.
The piece begins with a statement that closely follows the traditional hymn; four variations follow, of which the last is the "longest and most expressive". [ 16 ] Norman Blake accelerated the first six notes of "What Wondrous Love Is This" (the notes of that title's five words) and three repetitions of them as the intro [ 17 ] of his 1972 or ...
Love Is Not All: It Is Not Meat nor Drink is a 1931 poem by Edna St. Vincent Millay, written during the Great Depression. [1]The poem was included in her collection Fatal Interview, a sequence of 52 sonnets, appearing alongside other sonnets such as "I dreamed I moved among the Elysian fields," and "Love me no more, now let the god depart," rejoicing in romantic language and vulnerability. [2]
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
The 1609 Douay-Rheims Bible Old Testament translation from Latin into English uses the wording, "And in the wilderness (as thou hast seen) the Lord thy God hath carried thee, as a man is wont to carry his little son, all the way that you have come, until you came to this place."
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...
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The other was in Greek and had no formal resemblance to the later poem written in English. [2] The poem in English is founded on the poetic conceit that the altar has been fashioned from the author's stony heart by the power of Christ and, being so reared, now binds both the poet and his Lord in a lasting relationship. The balanced construction ...