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In 1980 Larry Fishman made a prototype acoustic pickup in his basement, and by 1981 he had taken orders for pickups from the Guild Guitar Company.In 1982 the C.F. Martin Guitar Company ordered Fishman pickups; to accommodate it, Fishman and his company rented a larger manufacturing space, and began designing and making pickups for banjos, mandolins, violins, cellos and basses as well.
On December 28, 1998, the last day of the Otokotachi no Wakare tour, Fishmans would perform their final concert at Akasaka Blitz.While initially intended as a farewell to bassist Yuzuru Kashiwabara, who was departing from the band, it ultimately served as a farewell to frontman Shinji Sato and to Fishmans as a whole, as Sato suddenly died within months, more or less ending the band as they did ...
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
"More advanced players who regularly gig in small to medium sized venues… typically [use amps that] produce 300-700 watts of output." [12] Some bassists believe a tube bass amp will sound louder than a solid-state bass amp of the same wattage. [13] A bass stack consisting of an SWR amplifier head on top of Mark Bass 4x10" and 2x10" cabinets.
Gordon played many roles in Phish. Until the band became too big for self-management, he dealt with practically all public relations and fan communication, such as answering fan mail, managing funds and booking gigs. [citation needed] Gordon wrote a column titled "Mike's Corner" for the band's newsletter in the 1990s. [6]
Standards bodies differ in their recommendations for nominal level and headroom. Selecting amplifiers with enough headroom helps to ensure that the signal will remain clean and undistorted. Like most sound reinforcement equipment, professional power amplifiers are typically designed to be mounted within standard 19-inch racks.
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