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Steven Bruhm (1994) Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: University of Pennsylvania Press. Gary Crawford (1986) "Criticism" in J. Sullivan (ed) The Penguin Encyclopedia of Horror and the Supernatural. Ann Radcliffe (1826) "On the Supernatural in Poetry" in The New Monthly Magazine 7, 1826, pp 145–52.
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
The Southern Gothic includes stories set in the Southern United States, particularly following the Civil War and set in the economic and cultural decline that engulfed the region. Southern Gothic stories tend to focus on the decaying economic, educational and living standards of the post-Civil War South. There is often a heavy emphasis on race ...
The themes and concepts of Monster Literature are rooted in 18th century Gothic literature. The earliest examples of Gothic literature can be traced all the way back to English author Horace Walpole's novel The Castle of Otranto (1764). [1] However, monster literature first emerged in the 19th century with the release of Mary Shelley's ...
Dostoyevsky's works explore the irrational, dark motifs, dreams, emotions and visions. He was an avid reader of the Gothic and enjoyed the works of Radcliffe, Balzac, Hoffmann, Charles Maturin and Soulié. Among his first Gothic works was The Landlady. The stepfather's demonic fiddle and the mysterious seller in Netochka Nezvanova are
The 19th-century fantastique literature after 1830 was dominated by the influence of E. T. A. Hoffmann, and then by that of Edgar Allan Poe. French authors such as Jules Barbey d'Aurevilly, Charles Baudelaire, Paul Verlaine and Arthur Rimbaud echoed the dark themes found in the German and English literature. Baudelaire was one of the first ...
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel .